R.O.N.F

RELEASES


SWAMPS UP NOSTRILS

Δ9-Tetrahydrocannabinol

CDr

Using this substance, Δ9-Tetrahydrocannabinol (the main psychoactive ingredient in Cannoisbis Noisiva), SWAMPS UP NOSTRILS aims to infiltrate your neural pathways and modulate your brain chemistry.

This will be done by entering through any unsuspecting orifice of your body. The goal is basically to get under your skin, into your bloodstream or whatever you got transporting nutrients in your biological vessel of choise, and then into your brain (unless you are a robot or something of course, then we could just upload it through your data socket). The audial treatment is most effective if delivered through equipment built for very fast air pressure manipulations, often reffered to as "speakers". As with many other kinds of noise; let there be loudness in the reception area.


On "Δ9-tetrahydrocannabinol", a setup of effex pedals and mixers and various electronics were used, feedbackloops were prominent.

The result can perhaps be described as an abbrasive multi layered noise joint with enough low-bit synth destruction and synapse shattering noise bursts to please even the most puritan of noise lovers (or so goes the theory anyway).


40 minutes Length!! 75 copies pressed!!

Full colour glossy cover / Artful cd printing.



ARTIST INFO

Tracklist:

01. An Aromatic Terpenoid (1:27)
02. Endocannabinoid Synaptic Transmission (12:00)
03. The Post-Synaptic Neuron (3:46)
04. Dronabinol (3:48)
05. 11-Hydroxy-THC (7:53)
06. Gastro-Hypothalmic Axis (10:16)



PRESS / REVIEWS


Reviewed on VITAL WEEKLY
http://www.vitalweekly.net/

There are thematic variations, which resolve into and out of some pure harsh noise, (good stuff you know), however given such titles (An Aromatic Terpenoid, Endocannabinoid Synaptic Transmission, The Post-Synaptic Neuron, Dronabinol 11-Hydroxy-THC, Gastro-Hypothalmic Axis) and thematic developments suggests a Heideggerian "thrown-ness" of in-authenticity about the problematic of where to go next (in/with noise). Add voices and call it an opera. The problem of the present which alluded even the likes of uncle Albert and brother Jacques was the magnificent achievement of harsh noise, that is not pretense but a totaling fullness. Though noise might be data without meaning the roar in the jungle that is noise in post-cultural culture was once sufficient to place presence before presence. Nice work here but it needs to be obviscated as much as possible, the text erased and the whole thing put through the meat grinder that was the epoch. (jliat)