R.O.N.F

RELEASES


MIGUEL A. GARCIA

'Live At El Tanque Gallery, Santa Cruz De Tenerife, 2007'

Mini-CDr

Miguel A. García, from the Basque Country, Spain, performed at El Tanque Gallery (Tenerife, Canary Islands) late in 2007, this is the recording of that event, pure, direct and weird analogously recorded inside this old water storage tank now converted into an Art Gallery stage for various artistic expressions.

The special conditions of this space gave this recording an unrepeatable character. More an Experiment about the influence of architechtonics over sound manipulation.

The Dark Ambient, Drone style of Miguel A. García (a.k.a. XEDH) is enhanced inside this tank making this a really strange and evil experience.


21 minutes Length.

50 copies pressed - May 2009.
50 copies pressed - October 2009.

Packaged in mini-dvd plastic case.


ARTIST INFO - MIGUEL A. GARCIA



Tracklist:

01. Live At El Tanque Gallery, Santa Cruz De Tenerife, 2007 (21:36)


PRESS / REVIEWS


Reviewed on WONDERFUL WOODEN REASONS
http://wonderfulwoodenreasons.homestead.com/current.html

This intriguing and ephemeral little seedee is a recording of a live show by Garcia in a converted water tower. The performance made use of on-site recordings and shards of electronically generated micro-sounds broadcast into and manipulated by the 15 second reverb of the space. It's a dark and solemn recording laced with trepidation and tense, elongated drifts of sound as Garcia painstakingly casts his sounds into the ether.
It's a deep and infectious set that must have been fun to experience first hand as even second hand it's nicely immersive.


Reviewed on VITAL WEEKLY
http://www.vitalweekly.net/

Of much more interest is the 3"CDR by Miguel A. Garcia, who came down (up?) from noise and plays something more interesting these days. Although this being on RONF, known for some of its more harsher and brutal sounds, this is quite an interesting deep work. The gallery is located in an old water storage tank, with a large amount of reverb. Garcia plays some dark sounds into them, but its sparsely orchestrated. He shoots as it were these sounds into the space and waits until they died out, before reloading his sonic gun. Over the course of twenty minutes it grows a bit more intense, but throughout it stays on the sparse side. No noise was harmed in making of this work. An excellent work of one of the more promising new faces on the microsound scene. (FdW)